Download New Yorker Type Pro Fonts Family From Wiescher-Design

Designed by Gert Wiescher, New Yorker Type Pro is an art deco and display serif font family. This typeface has seven styles and was published by Wiescher-Design.

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New-Yorker-Type was one of the first typefaces I tried my hand at in 1985. I meant it as a revival of the typeface used by the New Yorker magazine. I did not scan it. I just looked at the type and redrew it completely by hand. Only much later did I come to know, that there is a bundle of similar typefaces of that period. Rea Irvin’s design for New-Yorker magazine was just one of them, maybe the best.
In the next step I repaired some of the mistakes that I made more than thirty years ago.
Now on the eve of 2020 I gave the font a complete overhaul and added a set of Swash Initials, Cyrillic and Greek glyphs and many ligatures. The font now has 1075 glyphs and is all set for most latin writing systems. On top of that I made two versions, a Classic one with rounded corners and a pointed Pro version for a more up-to-date look. Take your pick.
Yours sincerely, honoring Rea Irvin a great type- and magazine-designer, Gert Wiescher

Download New Yorker Type Pro Fonts Family From Wiescher-Design

Download Thicker Fonts Family From Zetafonts

Designed by Francesco Canovaro and Andrea Tartarelli, Thicker is a sans serif font family. This typeface has forty-four styles and was published by Zetafonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 Thicker is a type-family designed for Zetafonts by Francesco Canovaro with Andrea Tartarelli. A geometric sans typeface on steroids, it was first designed in the muscular extrablack weight with the aesthetics of high-power dynamic typefaces used in sports communication, and then developed in the lighter weights where the shapes show some vintage-inspired proportions and the slightly squared look that nods to Novarese famous Eurostile, eponymous with retro-futurism. With these diverse influences the typeface allows for both impressive display use and effective logo design as well as more fine-tuned editorial use in body text - with a natu...

Download Tarif Font Family From Zetafonts

Designed by Cosimo Pancini, Andrea Tartarelli, Maria Fantini and Rania Azmi, Tarif is a slab serif font family. This typeface has twenty-one styles and was published by Zetafonts. Download Now Server 1 Download Now Server 2 Download Now Server 3 Tarif is a typeface family inspired by the multicultural utopia of Convivencia - the peaceful coexistence of Muslims, Christians and Jews in tenth century Andalusia that played an important role in bringing to Europe the classics of Greek philosophy, together with Muslim culture and aesthetics. Designed for Zetafonts by Andrea Tartarelli, is a slab serif typeface with a humanist skeleton and inverted contrast, subtly mixing latin zest, calligraphic details, extreme ink-traps, and postmodern unorthodox reinvention of traditional grotesque letter shapes. The exuberant design, perfect for titling, logo and display use, is complemented by a wide range of seven weights allowing for solid editorial use and great readability in body text. Matching ...

Download Kitsch Font Family From Zetafonts

Designed by Francesco Canovaro, Andrea Tartarelli and Maria Fantini, Kitsch is a serif font family. This typeface has thirty-two styles and was published by Zetafonts. Download Now Server 1 Download Now Server 2 Download Now Server 3 Designed by Francesco Canovaro with help from Andrea Tartarelli and Maria Chiara Fantini, Kitsch is a typeface happily living at the crossroads between classical latin and medieval gothic letterforms. But, rather than referencing historical models like the italian Rotunda or the french Bastarda scripts, Kitsch tries to renew both its inspirations, finding a contemporary vibe in the dynamic texture of the calligraphic broad-nib pen applied to the proportions of the classical roman skeleton. The resulting high contrast and spiky details make Kitsch excel in display uses, while a fine-tuned text version manages to keep at small sizes the dynamic exp...

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