Download Naville Fonts Family From Letterhend Studio

Designed by Hendry Juanda, Naville is a sans serif font family. This typeface has six styles and was published by Letterhend Studio.

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Introducing, Navillè Sans, the all caps font family. This family has 6 weights - extra light, light, reguler, medium, semibold and bold. The clean and simplicity look of the font suitable for wide range of graphic needs especially for headline, title, sign board, information board, billboard and for UI/UX design.

Features :

- numbers and punctuation
- Support for 17 different languages
- contains 222 glyphs
- PUA encoded
- Consist of 6 font weights

We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Or simply send me a PM or email me at letterhend@gmail.com

Download Naville Fonts Family From Letterhend Studio

Download Thicker Fonts Family From Zetafonts

Designed by Francesco Canovaro and Andrea Tartarelli, Thicker is a sans serif font family. This typeface has forty-four styles and was published by Zetafonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 Thicker is a type-family designed for Zetafonts by Francesco Canovaro with Andrea Tartarelli. A geometric sans typeface on steroids, it was first designed in the muscular extrablack weight with the aesthetics of high-power dynamic typefaces used in sports communication, and then developed in the lighter weights where the shapes show some vintage-inspired proportions and the slightly squared look that nods to Novarese famous Eurostile, eponymous with retro-futurism. With these diverse influences the typeface allows for both impressive display use and effective logo design as well as more fine-tuned editorial use in body text - with a natu...

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Borax fonts from Canada Type - (efqgb)

Designed by Patrick Griffin and Jamie Chang, Borax is a display serif and serif font family. This typeface has eight styles and was published by Canada Type . Download Now Server 1 Download Now Server 2 Download Now Server 3 This font family is an ode to the typography scene of New York City and Chicago in the late 1970s, when ad agencies, design studios and typesetters used their cameras, geometry sets, drafting boards and cunning lingo to model an ideal life of consumption, and printed it all into a sleek culture everyone thought would last forever. By the time phototypesetting was peaking in the 1970s, interesting transformations in mainstream display typography were taking place. With typesetting tools having become more than capable of reconstructing and remixing the entire eras of type history in a short time, the classic workhorses were undergoing fresh scrutiny from more appreciative angles. New faces with too much personality were still being made, but high-level advertising...

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