[cdayziunmy] Download Gravtrac Fonts Family From Typodermic Fonts Inc.

Designed by Ray Larabie, Gravtrac is a slab serif font family. This typeface has fifty-six styles and was published by Typodermic Fonts Inc.

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Gravtrac is a slab serif headliner designed to deliver solid punches while taking up as little horizontal space as possible. Inspiration comes from mid twentieth century classics: Univers 59 Ultra-Condensed, Helvetica Inserat and Compacta. It’s all about flat sides, a steady rhythm and tight, precision curves. The widest style of Gravtac is Condensed—compact, yet a comfortable read, available in 7 weights from Ultra-Light to Heavy. Gravtrac Compressed is probably the width where most typefaces would quit. It’s narrow enough for most…but not for you. That’s why we have Gravtrac Crammed. It’s audaciously narrow—perfect for times where you want the reader to slow down and truly pay attention to the message. Gravtrac Crushed is devilishly slender. Try it with wide tracking for a stark, opulent look. All styles are also available in obliques varying from 7 to 10 degrees—58 styles in total. Gravtrac includes Opentype fractions, numeric ordinals, a breadth of currency symbols and old-style (lowercase) numerals. Almost all current Latin based languages are supported as well as Greek and Cyrillic. Every skilled designer already has slab serif typefaces in their stockpile but some of us have the need to squeeze.

Download Gravtrac Fonts Family From Typodermic Fonts Inc.

Download Thicker Fonts Family From Zetafonts

Designed by Francesco Canovaro and Andrea Tartarelli, Thicker is a sans serif font family. This typeface has forty-four styles and was published by Zetafonts . Download Now Server 1 Download Now Server 3 Download Now Server 2 Thicker is a type-family designed for Zetafonts by Francesco Canovaro with Andrea Tartarelli. A geometric sans typeface on steroids, it was first designed in the muscular extrablack weight with the aesthetics of high-power dynamic typefaces used in sports communication, and then developed in the lighter weights where the shapes show some vintage-inspired proportions and the slightly squared look that nods to Novarese famous Eurostile, eponymous with retro-futurism. With these diverse influences the typeface allows for both impressive display use and effective logo design as well as more fine-tuned editorial use in body text - with a natu...

Download Kitsch Font Family From Zetafonts

Designed by Francesco Canovaro, Andrea Tartarelli and Maria Fantini, Kitsch is a serif font family. This typeface has thirty-two styles and was published by Zetafonts. Download Now Server 1 Download Now Server 2 Download Now Server 3 Designed by Francesco Canovaro with help from Andrea Tartarelli and Maria Chiara Fantini, Kitsch is a typeface happily living at the crossroads between classical latin and medieval gothic letterforms. But, rather than referencing historical models like the italian Rotunda or the french Bastarda scripts, Kitsch tries to renew both its inspirations, finding a contemporary vibe in the dynamic texture of the calligraphic broad-nib pen applied to the proportions of the classical roman skeleton. The resulting high contrast and spiky details make Kitsch excel in display uses, while a fine-tuned text version manages to keep at small sizes the dynamic exp...

[hhghqhidlr] Download Change Serif Fonts Family From BORUTTA

Designed by Mateusz Machalski, Change Serif is a serif font family. This typeface has ten styles and was published by BORUTTA . Download Now Server 1 Download Now Server 3 Download Now Server 2 Change is a typeface family designed as a part of Mateusz Machalski’s PhD project, carried out in 2015-2021. The main goal was to create a typeface allowing for the typesetting of complex humanistic texts, containing many historical letterforms. The starting point was the preparation of most of the glyphs provided in unicode for Latin, Cyrillic and Greek. From the formal point of view, the Change family is based on Renaissance proportions with contemporary details. Classic upright version is paired with expressive and calligraphic italics, inspired by the works of Robert Granjon. Each of the styles contains about 4,000 characters, allowing for a broad range of typesetting...

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